30 Japanese Sex Movies That Will Leave You Craving For More

One of the most important genres that Japan has contributed to world cinema is pink film. Pink films are generally defined as feature films with erotic overtones. Most asian people look for chinese sex movie and if you are one of them, you’re not far from where you should be.

When it comes to B-grade sex movies, there is more sex in the movies than story. One might as well cal them sex movies.They cannot, however, be compared to other countries’ base and two-bit B-grade films, and this is the major feature that distinguishes them from sexploitation and pornographic mainstream films from those other countries. They’re not just sexy; they’re also very artistic and aesthetic. In this genre, Japanese directors have created some of the best films ever filmed. From the 1960s until the 1980s, pink films dominated the Japanese film industry.
This list attempted to contain a variety of iconic pink flicks, such as Nikkatsu Roman Porno, Toei Pinky Violence, and other erotica from Japan. However, it has omitted a large number of films with sensual themes that aren’t particularly pinky but fall under other genres. Films from the Japanese New Wave are generally omitted, with the exception of Nagisa Oshima’s sexual and pinkish works. For example, Yoshishige Yoshida’s masterpiece “Eros Plus Massacre” and Akio Jissoji’s two masterpieces “Mujo” and “Mandala” are more philosophical and beautiful flicks than erotic. “Branded to Kill,” directed by Seijun Suzuki, is more of a Yakuza picture than a pink one. “Unholy Desire,” “The Insect Woman,” and “The Pornographers” are realistic films by Shohei Imamura that are widely regarded as Japanese New Wave classics. “Onibaba” by Kaneto Shindo is both sexual and a horror classic. This list includes films that are mostly on sex, eroticism, sadomasochism, geishas, or prostitutes that don’t fall into any other categories. Of course, the major goal of this list is to bring attention to a number of lesser-known classic pink films.There is a lot of content out there especially for people who are obsessed with sexy movie video. The following is a list of 30 classic pink movies.

Table Of Content

• 1 Sex and Fury (Norifumi Suzuki, 1973)
• 2 In the Realm of the Senses (Nagisa Oshima, 1976)
• 3 Female Yakuza Tale: Inquisition and Torture (Teruo Ishi, 1973)
• 4 Slave Widow (Mamoru Watanabe, 1967)
• 5 Tokyo Decadence (Ryu Murakami, 1992)
• 6 Wife to be Sacrificed (Masaru Konuma, 1974)
• 7 Nanami, The Inferno of First Love (Susumu Hani, 1968)
• 8 Hanzo the Razor: The Snare (Yasuzo Masumura, 1973)
• 9 Manji (Yasuzo Masumura, 1964)
• 10 Violated Angels (Koji Wakamatsu, 1967)
• 11 Ecstasy of the Angels (Koji Wakamatsu, 1972)
• 12 Daydream (Tetsuji Takeji, 1964)
• 13 Terrifying Girls’ High School: Lynch Law Classroom (Norifumi Suzuki, 1973)
• 14 Fairy in a Cage (Koyu Oharu, 1977)
• 15 Gate of Flesh (Seijun Suzuki, 1964)
• 16 Empire of Passion (Nagisa Oshima, 1978)
• 17 Etsuraku (Nagisa Oshima, 1965)
• 18 Rope Cosmetology (Shogoro Nishimura, 1978)
• 19 Beauty’s Exotic Dance: Torture! (Noboru Tanaka, 1977)
• 20 Flower and Snake (Masaru Konuma, 1974)
• 21 Diary of a Shinjuku Thief (Nagisa Oshima, 1968)
• 22 A Snake of June (Shinya Tsukamoto, 2002)
• 23 Go, Go Second Time Virgin (Koji Wakamatsu, 1969)
• 24 Inflatable Sex Dolls of the Wasteland (Atsushi Yamatoya, 1967)
• 25 School of the Holy Beast (Norifumi Suzuki, 1974)
• 26 A Woman Called Sada Abe (Noboru Tanaka, 1975)
• 27 Blind Beast (Yasuzo Masumura, 1969)
• 28 Watcher in the Attic (Noboru Tanaka, 1976)
• 29 Irezumi (Yasuzo Masumura, 1966)
• 30 Ichijo’s Wet Lust (Tatsumi Kumashiro, 1972)

Sex and Fury (Norifumi Suzuki, 1973)

Norifumi Suzuki is one of the most prominent pink film directors, having created a number of classics, including “Sex and Fury,” which is, without a doubt, his masterpiece. This revenge-themed picture was so sensuous, fascinating, and brutal that it even inspired Quentin Tarantiro’s “Kill Bill” movie. One of the most fascinating swordfight scenes in film history is with the devastatingly attractive actress Reiko Ike, who battles with multiple males while entirely naked. Not only that, but it contains a number of highly erotically charged sex sequences that are uncommon in other pink flicks. Reiko Ike, a stunningly attractive and sultry actress, plays a criminal seeking vengeance for her father’s murderer. It is considered to be one of the most erotic films ever made. It is true what they say, people look for sex in regular movies and story in porn movies. That’s where Malayalam sex movies come in play, they only have erotic scenes but also a decent story to go with it.

In the Realm of the Senses (Nagisa Oshima, 1976)

Nagisa Oshima’s magnificent masterpiece “In the Realm of the Senses,” arguably one of the finest sexual films of all time, focuses mostly on the erotic life of Sada Abe, a real woman from Japan who eventually became a folk hero in her country. The plot of the film is based on true events in her life. It contains numerous intense and incredibly sensual scenes that make viewers feel as if they are making love to a lustful geisha rather than watching a film. It was not widely published because of the numerous unsimulated sex scenes. The central topic of this film is passion and jealousy, and it is, without a doubt, the best example of this. In that sense, it’s a type of parable. Sada Abe’s affection for her lover is less important to Oshima than these topics. He demonstrates how lust can lead to death. This film is well-known and well-known all around the world and requires no more explanation. Those who haven’t seen it and appreciated it are undoubtedly unlucky.

Female Yakuza Tale: Inquisition and Torture (Teruo Ishi, 1973)

This picture was directed by Teruo Ishi, who has made many good pink films and is known for his eroguro films, a type of pink films, and is a good sequel to Norifumi Suzuki’s classic “Sex and Fury.” In “Abashiri Prison,” Ishi has created a fantastic film that can be classified as Yakuza. Women are best portrayed as macho, violent, and gangster-like by Japanese cinema. This film, released the same year as its prequel, depicts female yakuza gangs involved in drug trafficking and pickpocketing. It’s not quite as fantastic as the predecessor, but it’s still a lot of fun because to Reiko Ike’s hotness. It will undoubtedly appeal to fans of “Sex and Fury.” A lot of people skip the main part of movies just to see hot sex movie. While it might be okay for them, for cinema-lovers, it’s a big turn off. 

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Slave Widow (Mamoru Watanabe, 1967)

The interesting narrative of a widow who ends up as the sexual slave of her husband’s creditor is told in this interesting melodrama by Mamoru Watanabe, but there’s a twist when that lusty and vicious creditor’s son falls in love with her. Regardless, she is a respectable woman who want to be free of all of the traps. The dialogue, plot, and characters are all melodramatic, but this does not annoy the audience. Rather than being erotic, its sexual scenes are psychologically manipulative. The widow also has solely passionate obsessions with her husband, which psychologically distinguishes her from any other man. It’s a must-see for fans of pink films.

Tokyo Decadence (Ryu Murakami, 1992)

Ryu Murakami is a well-known Japanese author who has also proven to be an excellent filmmaker. He has four films to his credit, the best of which being “Tokyo Decadence.” It’s about a call girl who was forced to go through S&M hell. However, that is not the only important aspect of this situation. Love, narcotics, the sex industry, and prostitution are all depicted in a subdued manner. The gorgeous and dark streets of Tokyo, the peculiar life of drug dealers and prostitutes, highly strange sexual practices, and many other features are depicted in a very interesting way during S&M sequences.

Wife to be Sacrificed (Masaru Konuma, 1974)

Masaru Konuma is best known for his Roman Porno movies. When he worked for Nikkatsu Studio, Seijun Suzuki impressed him. “Wife to be Sacrificed” is a fantastic film on sadomasochism. A wife is kidnapped by her husband, whom she had abandoned years before, and taken to a remote location where she is tortured. That is the entire story, a straightforward narrative that focuses on the essentials. This picture is particularly interesting because of the beautiful photography, the harsh and horrible torture, and the bizarre tale. It is arguably Nikkatsu Roman Porno’s best film.

Nanami, The Inferno of First Love (Susumu Hani, 1968)

Susumu Hani is known for his Japanese New Wave films, the best of which is “Nanami, The Inferno of First Love,” which was co-scripted by Shuji Terayama, another avant-garde Japanese New Wave director. This is an experimental film that depicts the romantic lives of a young man who falls in love with a model. However, the plot is meaningless because there are numerous gimmicks presented in a ludicrous and abstract manner. Like many other Japanese New Wave films, the dialogue between the characters is philosophical and idealistic. The most interesting aspects of this picture are the camera movement, many love gimmicks, the conversation, exquisite photography, and bizarre characters. In addition, it’s a must-see Japanese New Wave picture. There is a wealth of stuff available, particularly for fans of English sex movies.

Hanzo the Razor: The Snare (Yasuzo Masumura, 1973)

This is the result of a fantastic partnership between Shintaro Katsu and Yasuzo Masumura, a well-known Zatoichi hero. “Hanzo the Razor: The Snare” is an Edo-era film that is both erotic and predatory. It is the second installment in the well-known “Hanzo the Razor” trilogy, which is directed by three different directors. Katsu, on the other hand, has been in all of these films, with “The Snare” being the finest. Katsu isn’t the kind and kind blind man from the Zatoichi series, but a vicious official investigator who isn’t afraid to torture anyone in order to find out what’s going on. This film is a cross between a samurai film and a pink flick. A must-see trilogy and, of course, a must-see film for fans of samurai films.

Manji (Yasuzo Masumura, 1964)

“Manji” is one of the best lesbian films ever created, and it has a distinct Japanese flavor. It is a film version of Junichiro Tanizaki’s Japanese novel “Quicksand.” Many directors have adapted it for film, but Yasuzo Masumura may have attained the highest level of artistic achievement with it. Kaneto Shindo, another well-known director who helmed classics such as “Onibaba,” “The Naked Island,” and “Kuroneko,” wrote the script. Its plot depicts the complexities of a relationship between two main characters, a married woman and a beautiful model. When her spouse discovers the truth, the situation becomes more complicated. Another twist occurs when the model informs the married woman that she previously had another lover. This film is extremely powerful and outstanding from a psychological, erotically, and aesthetically standpoint.

Violated Angels (Koji Wakamatsu, 1967)

“Violated Angels,” another classic from legendary pink film filmmaker Koji Wakamatsu, is remembered for contentious topics such as sexism, misanthropy, and explicit brutality. But, like his picture “Go, Go Second Time Virgin,” which is also on this list, it’s an artistically and aesthetically outstanding film with a very simple plot. People can make many interpretations about this film, but who knows what was going through Wakamatsu’s mind when he filmed it? It was inspired on the real-life mass killings committed by Richard Spree in 1966, barely a year before the film was released. Eight nurses were tortured, raped, and killed by him. It features several philosophical debates, similar to those in his film “Virgin,” that are both engaging and irrelevant. In any case, it’s one of the best movies ever filmed.

Ecstasy of the Angels (Koji Wakamatsu, 1972)

“Ecstasy of the Angels,” the third of three Koji Wakamatsu classics on this list, is a political film. It depicts the account of a particular incident and its aftermath during a revolutionary movement, in which Japanese soldiers break into a US weapons depot, but suffer disastrous results. Those members begin to disregard the movement’s rules and take issues into their own hands. Wakamatsu has also demonstrated a number of sexual acts within their movement. Wakamatsu’s films have been regarded as misogynistic, aggressive, anarchistic, philosophical, and political in general, and these themes are present here as well. In 2008, Wakamatsu released another film, “United Red Army,” which features some of the same elements as “Angels.”

Daydream (Tetsuji Takeji, 1964)

“Daydream” is a pioneering pink picture that has impacted a slew of other pink flicks. Tetsuji Takeji himself has redone it twice, and there is also a Korean remake. It depicts the film’s key points, which are hallucinatory sexual antics that are powerfully depicted. Many bizarre situations are exhibited as a dentist imagines the sexual fantasies of his female patients. This look was eventually adopted by a slew of other pink films. Aside from that, the production, sex scenes, and performances are all top-notch. It is undeniably a classic in the pink genre. Choosing a movie to watch on OTT can be a tedious task, and mind you OTTs only have only a few thousand movies. But the internet has so much more explicit content, especially hot sexy movie, you have to be really specific with your searches or you can just check out our lists 

Terrifying Girls’ High School: Lynch Law Classroom (Norifumi Suzuki, 1973)

Norifumi Suzuki’s “Terrifying Girls’ High School” is another excellent film on this list, and it is possibly the greatest of the “Terrifying Girls’ High School” series. Reiko Ike does not appear in any sexy sex sequences in this film, but she does play a rescuer at a prison-like females school where female pupils are tortured to death if they make even the tiniest mistake. It is, of course, based on the S&M concept, as are most pink flicks, but it is quite different. It’s a female yakuza film with a lot of pinkish elements. It’s about a harsh female school where the disciplinarians are brutal, torturing and even murdering the students. After a while, the students rebel against the authority. It may bring to mind prison dramas, yakuza films, and other S&M-themed films to viewers.

Fairy in a Cage (Koyu Oharu, 1977)

Koyu Oharu is a lesser-known and underappreciated pink film director. He has a long series of stylistically good films, and “Fairy in a Cage,” based on the S&M concept, is unquestionably a pinky masterpiece. Soft porn is now being served on OTT platforms in India under the guise of viral content. If you search for sex movie hindi, you may come across a plethora of incorrect websites, some of which you may regret years later.

The plot is simple: a corrupt and sadomasochistic army official kidnaps and tortures a wealthy married woman for his own amusement. There are few parts that are nasty, but generally, this film is a lovely masterpiece. The most intriguing and compelling aspect of this film is Naomi Tani’s outstanding acting, which has been seen in a number of pink flicks.

Gate of Flesh (Seijun Suzuki, 1964)

Seijun Suzuki is well known for his legendary Yakuza flicks, but he has also directed a number of pink pictures. His pinkish masterpiece “Gate of Flesh” doesn’t show any graphic nudity, including naked breasts. Suzuki’s aesthetic is evident in this film, which is both beautiful and engaging. It reveals the inner status of some of the prostitutes with whom a gangster spends his time, which explains why they frequently run afoul of the law. That mobster and the bashful, sweet new prostitute began to fall in love behind each other’s backs. This piques the interest of the audience, and the film is a hybrid of the Yakuza and Pink genres.

Empire of Passion (Nagisa Oshima, 1978)

“Empire of Passion” is a companion piece to Oshima’s two-year-old film “In the Realm of the Senses,” which has fewer graphic sex scenes but is equally strong and beautiful. Despite the fact that the story is comparable to “Senses,” it is a ghost story and a folk tale. It depicts the story of a guy who is murdered by his wife and her lover and seeks vengeance. His tormented spirit eventually transforms into a ghost and seeks vengeance on them. Despite the presence of a ghost, the main source of anxiety for those two lovers is psychological rather than supernatural. It’s a lovely sexual and ghost folk story with themes of lust, betrayal, and vengeance.

Etsuraku (Nagisa Oshima, 1965)

“Etsuraku,” the final Oshima great on this list, is one of the five Outlaw Sixties classics. These films are among the best of the Japanese New Wave, and they are not to be missed by Oshima enthusiasts. “Violence of Noon” is another wonderful and stylistic film, although all of the flicks are equally brilliant. Because “Etsuraku” is Oshima’s first film to deal with sexual themes, it is unquestionably a watershed moment. In his later works, he mastered this theme and his manner, perhaps best in his masterwork “In the Realm of the Senses.” “Etsuraku” depicts the story of a guy who is blackmailed after being found guilty of murder and rape; he must hide a large sum of money for a year because the blackmailer was present at the murder scene. The protagonist, on the other hand, is unconcerned and spends the money, believing that he will commit suicide after completing it. He spends that money on sexual pleasure and his romantic life during that year. There is a wealth of content available, particularly for those who are infatuated with romantic sex movies.

Rope Cosmetology (Shogoro Nishimura, 1978)

If you enjoy Yasuzo Masumura’s “Manji,” a film based on the S&M concept, “Rope Cosmetology” is the film for you. The plots of these two films are similar in that they both revolve around a husband who is openly jealous of his wife, who is having a romantic and sexual relationship with her lesbian girlfriend. What distinguishes “Rope” from “Manji” is that these lesbians enjoy participating in S&M activities. Worse, they attempt to engage in sexual behavior similar to that of a female dog. Shogoro Nishimura has made a number of superb pink films, with “Rope Cosmetology” being his best. Naomi Tani, as in her other iconic pink films, gives a fantastic performance. It’s a must-see for fans of pink films.

Beauty’s Exotic Dance: Torture! (Noboru Tanaka, 1977)

This is the final installment of the Showa Trilogy, directed by Noboru Tanaka, arguably the best director of Nikkatsu Roman Porno films. “Beauty’s Exotic Dance: Torture!” is based on the real-life Japanese painter and writer Seiu Ito, and it features his “kinbaku” acts prominently. He is now known as the “Father of Modern Kinbaku,” and if you want to learn more about his artistic life, this might be the best film to watch. In Japanese, “kinbaku” denotes “tightly bound woman.” Ito ties up his two wives, as well as another of his favorite prostitutes, and tortures them. He gets ideas for his paintings and photography from there. Of course, this picture has a lot of S&M themes in it. Although the story is unimportant, the behaviors depicted are strong, gorgeous, and unsettling.

Flower and Snake (Masaru Konuma, 1974)

“Flower and Snake,” the second Masaru Konuma classic on this list, is similarly centered on S&M themes. Both the female and male stars previously appeared in Konuma’s “Wife to be Sacrificed,” a masterpiece. Torture, sadomasochism, and bizarre sexual acts are among the many parallels between these two flicks. Naomi Tani has delivered another outstanding performance, particularly during the bondage in rope scene. It is one of Nikkatsu Roman Porno’s greatest films, dealing with S&M themes, particularly kinbaku.

Diary of a Shinjuku Thief (Nagisa Oshima, 1968)

“Diary of a Shinjuku Thief,” the third Oshima film on this list, has fewer erotic aspects but enough pinky elements to be deemed a pink film. It’s yet another outstanding example of a Japanese New Wave film in which Oshima’s style is evident. This film is heavily influenced by French New Wave films, particularly those of Jean-Luc Godard. It depicts the story of a book thief who is apprehended by a girl and then falls in love with her. It’s fascinating to watch their varied sexual behaviors, plundering, playing, romantic situations, and politics. It is not to be missed, especially among Oshima aficionados.

A Snake of June (Shinya Tsukamoto, 2002)

Shinya Tsukamoto is a cult director best known for films like as “Tetsuo: The Iron Man” and “Tokyo Fist,” among others. In his masterwork “A Snake of June,” a weird, frightening, voyeuristic, and surrealist erotic film, he has unquestionably achieved his signature style. The film’s magnificent blue monochrome photography and continuous rain across numerous scenes have been used to relate the characters, locales, and cinematography with the film’s theme of voyeurism and revenge. It’s difficult to tell what’s genuine and what’s not because of the weird and nightmare visuals. Concentrate on the characters, especially the good, introverted, tortured, and stalked protagonist, and the film will become clear. Its plot is reminiscent of “Tokyo Fist,” a violent film that appears to be a warm-up for “A Snake of June.”

Go, Go Second Time Virgin (Koji Wakamatsu, 1969)

When it comes to the pink genre, Koji Wakamatsu is undoubtedly the most influential filmmaker. He has a long history in this genre, and his avant-garde film “Go, Go Second Time Virgin,” based on a single location: an apartment rooftop, is unquestionably his masterpiece. Some of the amazing aspects about this picture include the simple plot, philosophical talks, stylistic cinematography, untidy and disturbed individuals, political themes, repulsive rape and murder scenes, and the highly captivating moments in only one place. It is without a doubt one of the best pink films ever made.

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Inflatable Sex Dolls of the Wasteland (Atsushi Yamatoya, 1967)

Atsushi Yamatoya wrote the screenplay for Seijun Suzuki’s classic “Branded to Kill,” but he also directed “Inflatable Sex Dolls of the Wasteland” in the same year, which is even better in some ways thanks to its strange gimmicks and stunning photography. Audiences will undoubtedly recall “Branded” after seeing it because the two films have numerous similarities. It’s an amazing example of how pink film directors pushed the envelope and created such a unique film in this genre. A wealthy man hires a private investigator to find his stolen wife, but the story takes an unexpected turn when the detective falls in love with her. The picture then progresses to a series of stunning hallucinating sex sequences that set it apart from other pink films.

School of the Holy Beast (Norifumi Suzuki, 1974)

This is perhaps Norifumi Suzuki’s second finest film after “Sex and Fury,” and it’s another masterpiece on this list. “School of the Holy Beast,” a nunsploitation film, shows the dark secrets of the church, in which sexually repressed nuns are cruelly tormented and exploited by bishops through so-called “self-flagellation.” If they make a mistake, especially sexually, they will be subjected to these tortures. One woman visits the chapel to find out what happened to her mother, and she encounters all of these things. This film is breathtakingly gorgeous, mysterious, terrifyingly violent, erotic, and engaging. It’s one of the best nunsploitation movies ever made. Here you can try the pinky Japanese flavor, which is superior to other nunsploitation films from other countries.

A Woman Called Sada Abe (Noboru Tanaka, 1975)

This is another excellent film about the folk hero Sada Abe, and it is actually better and more complete than Oshima’s “In the Realm of the Senses” in terms of Abe’s biography. The romantic life and actions of Abe were the emphasis of Oshima’s rendition, but this one depicts her entire life, particularly her love for her partner. As a result, it is not only erotic but also romantic, causing the spectator to feel sorry for Abe. Many reviewers believe that “A Woman Called Sada Abe” is superior to Oshima’s version, which came out a year later. It isn’t as explicit or sensuous as Oshima’s version, but it does have many lovely sexual and romantic sequences. Another significant pink film director is Noboru Tanaka, and this is the first film in his Showa Trilogy; two more films from this trilogy are featured on our list.

Blind Beast (Yasuzo Masumura, 1969)

Yasuzo Masumura is one of Japan’s most important film directors, having directed a number of classics as well as some fantastic pink films. The fascinating story of a blind sculptor who kidnaps a girl to create his masterpiece is told in “Blind Beast.” He genuinely sculpts statues of naked women and their genitals, and he believes that via that female, he can create his masterpiece. His mother totally supports him, but as the girl tries to entice him out of his trap, a psychological twist of jealousy develops between his mother and the girl. As a result, this pink becomes a metaphor for the relationship between daughter-in-law and mother-in-law. Aside from that, there are sadomasochistic themes in this film. This type of scenario may be found in a lot of pink movies, but it stands out because of its characters, plot twist, message, and weird and strange moments of nude sculpting.

Watcher in the Attic (Noboru Tanaka, 1976)

This is Noboru Tanaka’s second film on this list, and the second of his Showa Trilogy. Tanaka’s “Watcher in the Attic” is unquestionably a classic with a strong voyeurism subject. A male watcher watches the room where individuals are having sex from a hole in the attic, as the title suggests. He witnesses one woman murdering the man with whom she was having sex one day. He does, however, fall in love with her, and things take an unexpected turn after that. It’s intriguing, seductive, and mysterious.

Irezumi (Yasuzo Masumura, 1966)

This is the third of Masumura’s three classics on this list. This film focuses on the darker side of Japanese tattooing, known as irezumi. Masumura has a strong track record in both the pink and other genres. A lady is abducted, has a spider tattooed on the back of her body, and then takes revenge on her abductor and other males in “Irezumi,” a film that is comparable to his classic “Blind Beast.” Aside from that, it is based on a variety of themes such as S&M, voyeurism, and eroticism.

Ichijo’s Wet Lust (Tatsumi Kumashiro, 1972)

A striptease with erotic overtones. S&M Sexuality that is absurd. Scenes of lesbian sex Strippers’ masturbation and ejaculation. Strippers and the proprietor of the striptease club are having legal issues. “Ichijo’s Wet Lust” depicts all of these things vividly and wonderfully. Tatsumi Kumashiro, widely regarded as one of the most influential directors in the pink genre, has created not just one of the best pink films, but also one of the best films ever made in the world. Kumashiro’s masterwork, “Ichijo’s Wet Lust,” might be viewed as a metaphor for freedom struggle. He achieved this by utilizing the pink genre and striptease acts in the film. Strippers frequently have conflicts with authorities, but they generally want to do what they want. They are willing to battle for it, and they enjoy it. The last scene, in which the main stripper ejaculates in front of her audience as if having an orgasm, is as poignant as if she had triumphed over authority. Many critics have stated that this is a metaphor for artistic freedom. It is widely regarded as a must-see Japanese film classic.

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